With his second EP, Misplaced, French artist Oxy, the alias of Auxane Cartigny, invites us into an intricate world where jazz, electronica, and classical sensibilities collide with pulsating beats and avant-garde production. Already turning heads with his debut Freequation and notable collaborations under the Jazztronicz banner, Oxy proves he’s not just an artist on the rise—he’s a creative force redefining electronic music’s possibilities.
Misplaced captures Oxy’s knack for breaking molds. A classically trained musician with roots in improvisational jazz, he draws on this diverse background to craft sounds that defy genre conventions. Each track feels like a story unfolding, blending the emotional depth of his upbringing at the Conservatoire de Tourcoing with his fearless experimentation as a modern producer.
The EP’s highlight, 20411H, is pure adrenaline. From its commanding basslines to its layered synths, the track builds and twists with the kind of energy that transforms a dancefloor into a collective heartbeat. But it’s not just a banger—it’s also a masterclass in sound design, effortlessly blurring the lines between techno intensity and melodic introspection.
Oxy doesn’t stop there. Across six tracks, Misplaced offers a rich palette of moods and textures. The dreamy Like U Used To wraps ambient electronica in a jazzy embrace, while the EP’s darker moments lean into hypnotic rhythms and dynamic shifts that keep listeners on edge. Every song feels deliberate, a product of meticulous craftsmanship that somehow never loses its spontaneity.
This release is more than just a collection of tracks; it’s a statement. Oxy’s ability to fuse the emotional resonance of live performance with the precision of studio production is rare, and Misplaced solidifies his place among electronic music’s most innovative voices.
With Misplaced, Oxy delivers a bold vision of what electronic music can be: immersive, thought-provoking, and endlessly exciting. It’s an EP that doesn’t just demand to be heard—it demands to be experienced.
