There’s a fine line between devotion and destruction—and Plastic Rhino walks it in combat boots and eyeliner. Their latest single, “TAKEITALL,” is a sonic Molotov cocktail hurled through the glass walls of genre, daring you to flinch. It’s the kind of track that makes you think Joan Jett went on a bad acid trip with Nine Inch Nails at an EDM warehouse rave—and somehow, they all came out better for it.
Atara Glazer doesn’t just sing—she detonates. Her vocals veer from sultry menace to full-throttle fury, conjuring a kind of haunted intensity that feels equally at home in a love song or a horror flick. When she snarls “TAKEITALL,” it’s not a request. It’s a command. It’s obsession weaponized, scored with dubstep drops and industrial grind, flirting with the edge of chaos but always keeping its pulse on precision.
Jack Glazer, meanwhile, continues his reputation as a riff surgeon and tone sculptor. His guitars slice through the electronic haze with surgical intent, never overpowering but always present—anchoring the track in hard rock while letting the rest of the arrangement spiral into something far more genre-fluid. There are clear echoes here of Bad Omens and Bring Me The Horizon, but where those acts brood, Plastic Rhino struts. And where others drown in darkness, the duo dances with it, even dressing it up in vintage Jazzercise neon for the fever-dream music video that’s part Olivia Newton-John, part David Lynch.
The track’s production—courtesy of Tom Chandler and Ron Geffen—is crisp, cinematic, and utterly fearless. Instead of smoothing out the song’s jagged edges, they turn them into weapons. The sound design is dense but never bloated, with every element—from the throttling bass drops to the twitchy synth lines—serving the narrative of a relationship spiraling into stalker territory. It’s as if Garbage’s Version 2.0 got a cyberpunk reboot.
Plastic Rhino doesn’t just talk about genre-bending—they make it look like demolition art. “TAKEITALL” is a manifesto masquerading as a single. It’s aggressive, seductive, unhinged—and entirely irresistible.
Plastic Rhino’s latest doesn’t just blur the lines between genres. It erases them with a blowtorch.
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